It’s been a while. I’m on a new version of WordPress hosted by a new hosting company, so I apologize if things look or feel different. From a back-end perspective, the WordPress editor for creating a post has changed drastically. I imagine there will be a learning curve until I can get the hang of this new…system? I don’t know what you call it. Before the site got hacked I was not the best at updating WordPress so I got very used to the old functionality. Oh well.
Vespertine changed up their menu recently so we had to try it again. The new theme is Sicily. According to Chef Kahn, “Although its cuisine has a lot in common with Italian cuisine, Sicilian cooking shows traces of all the cultures that have existed on the island of Sicily over the last two millennia. It is a unique and fascinating cuisine filled with Greek, Spanish, French, and North African influences.” We read the menu the day it was posted and were so excited to try it we made a reservation for either the first or second night of its availability.
I should get something out of the way quickly before I review the menu. When we arrived at Vespertine to pick up our order, our server told us that there were complimentary waters included with our meal. I thought, “Oh sweet.” I went to retrieve a bottle from the bag and noticed a black envelope sitting on top with our names printed in silver on front. I thought it was the menu, but quickly realized only one of us had made the reservation…so there was no way the restaurant could know both our names.
When I opened the envelope, I found a letter from Chef Kahn inside. Without delving into too many details, I will say that it referenced my website and my reviews of the previous meals (specifically Midsummer). I was completely awed and humbled by the gesture. I’m just one guy with a website who likes to write about food. Never in a million years would I think the chef responsible for some of the best meals of my life would reach out to say “Hi” in such a personal way. Hopefully my review of Sicily provides more useful feedback.
We opted for the black truffle supplement for the Casarecce dish. This was easily the most opulent course of the meal. Casarecce “Del Gattopardo” is a neo-classical dish of baked casarecce pasta with pancetta, porcini mushrooms, marsala, swiss chard, and cacciocavallo cheese. Again, there were hints of cinnamon here that were totally welcome even though at first blush it seemed out of place. I was positively giddy as I tore through this course. Christine was starting to get full by this point, and I was not ashamed by my continued hunger for these dishes.
Zucca Agrodolce. Roasted Fall Squash. Garlic. Honey. Vinegar. Black Pepper. Mint. Translated to “sweet and sour pumpkin,” in Sicily the dish is made either with the “yellow” zucca gialla which looks a lot like a long island cheese pumpkin, or the “red” zucca rossa which has more of a jack-o-lantern shape and darker color inside and out. This was probably our least favorite dish of the night. I think it was an issue with transport/sitting, because by the time we got to it it was a little mealy. It nailed the sweet and sour elements but overall it was a bit underwhelming compared to the rest of the meal.
Much of our conversation following this meal was about whether it was our favorite Vespertine @ Home menu yet. Perhaps I’m biased (because it was my birthday, and I have an affinity for southern cooking since I only get to enjoy it when I visit mom), but I still think the Southern menu was my favorite. The other three all had some incredible bites that — were I making a Vespertine “mix tape” or “best of” would probably be equally represented. The Main Lobster and Peas/Carrots dishes from the French Laundry menu stand out in my mind as favorites. The Beet Tartare and Pea Gnudi and Lettuce Gratin from the Midsummer menu were equally fantastic.
I cannot speak highly enough of these meals from Vespertine. Precious few chefs have instilled such glee with their food since I moved to Los Angeles in 2007. I thought what Chef Miles Thompson was doing back at Alumette/Vagrancy Project in my Echo Park days was the pinnacle of Los Angeles Food until my first meal at Red Medicine. Now with Vespertine, Chef Kahn continually creates and executes transcendent, world-class cuisine.
I don’t need to expound upon the difficulties chefs (and all artisans, really) around the globe have faced this year. I’m not breaking any news when I describe the all-encompassing awfulness of our current reality. I’m sure the frustration and disappointment that chefs feel when they are unable to interact with diners is incalculable. On the surface, it might feel like sending food and a QR coded menu home with diners results in a one-sided conversation, or that dining at home is rife with opportunities for variables to affect what would normally be controlled in a restaurant space.
I’d argue that food is like music. For a songwriter, whether your audience is packed like sardines in a crowded club hearing you sing live, or packed like sardines on a crowded train commuting to work hearing you through headphones…the emotional response is the same. For a chef in 2020, your diners might be crammed at two-top table in their tiny kitchen struggling to control their puppy while reading your menu off their iPhone…but the emotional response is the same. That unexpected hit of cinnamon in a meatball…the excitement of discovering spicy breadcrumbs on crudo…it elicits the same passion and emotion a brilliant lyric or inventive guitar part does through headphones on a crowded train.
Dining in 2020, whether from Dominos or a your favorite local restaurant, is still experiential. It’s different in some very obvious ways, but it is only temporary. When this all ends and no more extreme adjustments need to be made, hopefully we’ll get to tell all the chefs who fed us through these difficult times — in person — just how much they helped.