“FLOH DE COLOGNE represents a german rock section which is provided with a strong political orientation. Their music is not that spectacular (at least for this recordings), mainly used for wrapping the messages I would say. For judging this album it’s recommended to go deeper into the lyrics and to be familiar with the german language plus the social situation a little bit.
Starting as an agitprop theater group FLOH DE COLOGNE appeared on the Essener Songtage 1968 which was one of the initial events for the development of krautrock. Obviously they were impressed by other participating rock bands like Zappa’s MOTHERS OF INVENTION for example and the emphasis changed to make political rock music afterwards. And therefore in January 1971 FLOH DE COLOGNE put the first german rock opera ‘Profitgeier’ on the stage.
This album is full of harsh left-wing criticism at the situation in Germany and reflects the social background with the student protests at the end of the 60s and a spirit of optimism which also had an effect on many workers. Unlike other german bands with a political approach like EULENSPYGEL the FLOH DE COLOGNE members didn’t make any compromises. ‘Profitgeier’ is another german description for ‘exploiter’. The album back cover for example is provided with invitations to join marxist organisations which especially were oriented at the USSR politics.
Nowadays it’s quite astonishing that the band found a financially strong label which released such an album (besides some others). But at that time OHR as a sub-label of Metronome was especially charged to explore bands and artists which were reflecting the rebellious times – headed by Rolf-Ulrich Kaiser who supported a lot of new experimental bands and therefore became a key figure for the krautrock genre.
The songs are fading into each other which can be expected for a live presented rock ‘opera’ whereas this title can only be considered in the widest sense because of a very generic concept. Some applause is to detect here and there which demonstrates the live character. Musically the songs are dominated by rock n’ roll, heavy rock and blues – technically good but not very ambitious – even not prog-related though. Maybe one could say pre-kraut with some reasons. Textually interesting parts are alternating with slogans which are way too simple or provocative, often presented as sprechgesang or recitative.
The political lessons are starting with He, hallo Stift whereas ‘Stift’ is colloquially ment for an apprentice and the song especially deals with the situation of young factory workers. ‘Who owns the world?’ and other fundamental questions are asked during the following songs. Auf dem Arbeitsmarkt is played in a heavy psych rock mood and musically an outstanding track with excellent guitar work. The last song Wir werden immer mehr, literally translated to ‘We are always getting more’, expresses a big ambition which finally could not be realized until today.
I know the band since the 70s but never saw them live in opposite to similar acts like the austrian SCHMETTERLINGE with their ‘Proletenpassion’. Their orientation at the politically bankrupt USSR, the plain music combined with flat textual substance here and there – this was not a big hit according to my taste.
Recommended to collectors of obscure german rock output who are able to get into the very special german lyrics.” – Prog Archives
Floh De Cologone
Rockoper Profitgeier
(Ohr, 1971)
MediaFire DL Link
01. He, Hallo Stift
02. Die Einen Kommen Erster Klasse Zur Weltaa
03. Wir Stehen Der Unpolitischen Vater
05. Auf Dem Arbeitsmarkt
06. Der Kapiltasamust
07. Wir Brachen Keine Millionare
08. Die Luft Gehort Denen Die Sie Atmen
09. Profitgeiter, too,
10. Wir Werden Immer Mehr
